Sunday Evening Organ Recitals
The performances listed in this page are NOT part of the Eccles Organ Festival Recitals.
They are listed in this separate page of this website for the convenience of the visitors of this website.
Please click here for the concert schedule of the current season of the Eccles Organ Festival.
They are listed in this separate page of this website for the convenience of the visitors of this website.
Please click here for the concert schedule of the current season of the Eccles Organ Festival.
The Cathedral of the Madeleine offers organ recitals featuring resident organists and visitors on selected Sunday afternoons at 5:30 PM from September through May. These last for 30 minutes and are free of charge. Visitors are invited to stay afterwards and join the Cathedral parishioners for the 6:00 PM Mass.
Would like to perform in the this series?
Check eligibility criteria and apply as a performer by clicking here.
Check eligibility criteria and apply as a performer by clicking here.
Forthcoming Recitals
April 27, 2025
Haruhito Miyagi
University of Utah, Salt Lake City, Utah
Florence Price (1887-1953)
Festal March
Jackson King (1928-1994)
Meditation Betty
Florence Price
Allegretto
Undine Smith Moore (1904-1989)
Variations on “Nettleton”
Florence Price
Air from Suite No. 1 for Organ
Evelyn Simpson Curenton (b. 1953)
Meditation on “Were You There”
Florence Price
Fantasy from Suite No. 1 for Organ
Dr. Haruhito Miyagi is a versatile musician, active as an organist, harpsichordist, hurdy-gurdyist, and composer. As an organist, he has performed extensively in Germany, Romania, Hungary, and throughout the United States. Most recently, he has appeared with the Utah Symphony, the West Valley Symphony, and the NOVA Chamber Music Series.
As a composer, Dr. Miyagi has received numerous accolades, including a commission from the Barlow Endowment for Music Composition for his organ work "Transfigured Permutation: Mosaic Visions of Grace". His orchestral piece "In memoriam: The Victims of Tōhoku Daishinsai" premiered with the Orquestra Sinfônica do Teatro Nacional Claudio Santoro in Brasília, Brazil. His music has also been performed by ensembles such as Musica Nostra Kórus of Budapest, the Battery String Quartet of Chicago, Quarteto L’Arianna of São Paulo, and members of the Utah Symphony.
In addition to his work as a performer and composer, Dr. Miyagi teaches music theory at the University of Utah and composition at Westminster University.
Haruhito Miyagi
University of Utah, Salt Lake City, Utah
Florence Price (1887-1953)
Festal March
Jackson King (1928-1994)
Meditation Betty
Florence Price
Allegretto
Undine Smith Moore (1904-1989)
Variations on “Nettleton”
Florence Price
Air from Suite No. 1 for Organ
Evelyn Simpson Curenton (b. 1953)
Meditation on “Were You There”
Florence Price
Fantasy from Suite No. 1 for Organ
Dr. Haruhito Miyagi is a versatile musician, active as an organist, harpsichordist, hurdy-gurdyist, and composer. As an organist, he has performed extensively in Germany, Romania, Hungary, and throughout the United States. Most recently, he has appeared with the Utah Symphony, the West Valley Symphony, and the NOVA Chamber Music Series.
As a composer, Dr. Miyagi has received numerous accolades, including a commission from the Barlow Endowment for Music Composition for his organ work "Transfigured Permutation: Mosaic Visions of Grace". His orchestral piece "In memoriam: The Victims of Tōhoku Daishinsai" premiered with the Orquestra Sinfônica do Teatro Nacional Claudio Santoro in Brasília, Brazil. His music has also been performed by ensembles such as Musica Nostra Kórus of Budapest, the Battery String Quartet of Chicago, Quarteto L’Arianna of São Paulo, and members of the Utah Symphony.
In addition to his work as a performer and composer, Dr. Miyagi teaches music theory at the University of Utah and composition at Westminster University.
Past Recitals
April 6, 2025
Gabriele Terrone
Cathedral of the Madeleine
The Fifth Sunday of Lent
I am the resurrection and the life, says the Lord
(John 11: 25)
Johann Sebastian Bach (1685 – 1750)
Prelude in B Minor, BWV 544/1
J. S. Bach
Choral Prelude "O God, be merciful to me", BWV 721
Gabriele Terrone
Improvisation on the Communio “Videns Dominus”
When the Lord saw the sisters of Lazarus in tears near the tomb,
he wept in the presence of the Jews and cried: “Lazarus, come forth.”
And out he came, hands and feet bound, the man who had been dead for four days.
Olivier Messiaen (1908 – 1992)
Strength and agility of the Glorified Bodies, from Les Corps Glorieux
J. S. Bach
Fugue in B Minor, BWV 544/2
Gabriele Terrone
Cathedral of the Madeleine
The Fifth Sunday of Lent
I am the resurrection and the life, says the Lord
(John 11: 25)
Johann Sebastian Bach (1685 – 1750)
Prelude in B Minor, BWV 544/1
J. S. Bach
Choral Prelude "O God, be merciful to me", BWV 721
Gabriele Terrone
Improvisation on the Communio “Videns Dominus”
When the Lord saw the sisters of Lazarus in tears near the tomb,
he wept in the presence of the Jews and cried: “Lazarus, come forth.”
And out he came, hands and feet bound, the man who had been dead for four days.
Olivier Messiaen (1908 – 1992)
Strength and agility of the Glorified Bodies, from Les Corps Glorieux
J. S. Bach
Fugue in B Minor, BWV 544/2
March 30, 2025
Loren Carle
Great Basin Baroque, Salt Lake City, Utah
Claudio Merulo (1533-1604)
Ricercar del duodecimo tuono
from Canzoni
La Cortese
La Gratiosa
La Palma
La Rosa
Toccata seconda del primo tuono
Harpsichordist, organist, and choral artist Loren Carle has brought a fresh perspective to classical music in Salt Lake City since transplanting from Montréal (Canada) in 2015. He holds a Master’s degree in harpsichord from McGill University (Montréal), and a Bachelor’s in organ from Mount Allision University (NB, Canada). During 2023-24, he pursued masterclasses and lessons with Catalina Vicens (Curator, Tagliavini Collection of Early Keyboard instruments, Bologna), Maria Luisa Baldasari, Augusta Campagne, Fabio Antonio falcone, Ian Pritchard (16th-c. harpsichord music, Tagliavini Collection), Francesco Cera (works by Claudio Merulo on the 15th- and 16th-century organs of Bologna). Loren has received instruction with the Tafelmusik Baroque Orchestra, and multiple international performers both in Montréal and Toronto. Loren also held organist positions in the Anglican College tradition (Christ Church Cathedral, St Matthias, Montréal), has extensive choral experience spanning the history of liturgical and concert repertoire, and is currently active as a chorister and organist at St. Mark’s Cathedral, SLC.
Loren is a founding member of Salt Lake City’s Great Basin Baroque, featuring performances by local and regional period-instrument specialists. As an early-music artist and researcher, he seeks to explore the mysterious worlds of spontaneity and expression hidden in very old sources of Western music, and within the physicality of historical instruments and techniques.
Loren Carle
Great Basin Baroque, Salt Lake City, Utah
Claudio Merulo (1533-1604)
Ricercar del duodecimo tuono
from Canzoni
La Cortese
La Gratiosa
La Palma
La Rosa
Toccata seconda del primo tuono
Harpsichordist, organist, and choral artist Loren Carle has brought a fresh perspective to classical music in Salt Lake City since transplanting from Montréal (Canada) in 2015. He holds a Master’s degree in harpsichord from McGill University (Montréal), and a Bachelor’s in organ from Mount Allision University (NB, Canada). During 2023-24, he pursued masterclasses and lessons with Catalina Vicens (Curator, Tagliavini Collection of Early Keyboard instruments, Bologna), Maria Luisa Baldasari, Augusta Campagne, Fabio Antonio falcone, Ian Pritchard (16th-c. harpsichord music, Tagliavini Collection), Francesco Cera (works by Claudio Merulo on the 15th- and 16th-century organs of Bologna). Loren has received instruction with the Tafelmusik Baroque Orchestra, and multiple international performers both in Montréal and Toronto. Loren also held organist positions in the Anglican College tradition (Christ Church Cathedral, St Matthias, Montréal), has extensive choral experience spanning the history of liturgical and concert repertoire, and is currently active as a chorister and organist at St. Mark’s Cathedral, SLC.
Loren is a founding member of Salt Lake City’s Great Basin Baroque, featuring performances by local and regional period-instrument specialists. As an early-music artist and researcher, he seeks to explore the mysterious worlds of spontaneity and expression hidden in very old sources of Western music, and within the physicality of historical instruments and techniques.
March 16, 2025
Christopher Caruso-Lynch
Artist-in-Residence, Madeleine Choir School
Gerre Hancock (1934–2012)
Air
Johann Sebastian Bach (1685-1750)
Adagio e dolce, from Sonata III, BWV 527
Louis Vierne (1870–1937)
From Symphony No. 1
iv. Allegro Vivace
ii. Fugue
Christopher Caruso-Lynch is Artist in Residence at The Madeleine Choir School, Salt Lake City, Utah. At the Choir School, Christopher trains choristers for Masses concerts and tours, and conducts the choir of men and boys, and men and girls. Previously, Christopher was Canon & Director of Music at Christ Church Cathedral, Indianapolis. Prior to his appointments in Utah, he held Assistant Organist positions at Christchurch Cathedral, New Zealand, Trinity Cathedral, Portland, St. Mark’s Cathedral, Shreveport, Trinity Church, Bloomington, and was Organ Scholar at St. Paul’s, K Street, Washington D.C. Christopher served on the organ faculty of the Jacobs School of Music at Indiana University, teaching courses in church music. Caruso-Lynch studied organ performance and early music at Indiana University, where his teachers included Janette Fishell, Bruce Neswick, Jeffrey Smith, Christopher Young, and Elisabeth Wright. He holds both bachelor’s and master’s degrees from Indiana and is a Fellow of the American Guild of Organists.
Christopher Caruso-Lynch
Artist-in-Residence, Madeleine Choir School
Gerre Hancock (1934–2012)
Air
Johann Sebastian Bach (1685-1750)
Adagio e dolce, from Sonata III, BWV 527
Louis Vierne (1870–1937)
From Symphony No. 1
iv. Allegro Vivace
ii. Fugue
Christopher Caruso-Lynch is Artist in Residence at The Madeleine Choir School, Salt Lake City, Utah. At the Choir School, Christopher trains choristers for Masses concerts and tours, and conducts the choir of men and boys, and men and girls. Previously, Christopher was Canon & Director of Music at Christ Church Cathedral, Indianapolis. Prior to his appointments in Utah, he held Assistant Organist positions at Christchurch Cathedral, New Zealand, Trinity Cathedral, Portland, St. Mark’s Cathedral, Shreveport, Trinity Church, Bloomington, and was Organ Scholar at St. Paul’s, K Street, Washington D.C. Christopher served on the organ faculty of the Jacobs School of Music at Indiana University, teaching courses in church music. Caruso-Lynch studied organ performance and early music at Indiana University, where his teachers included Janette Fishell, Bruce Neswick, Jeffrey Smith, Christopher Young, and Elisabeth Wright. He holds both bachelor’s and master’s degrees from Indiana and is a Fellow of the American Guild of Organists.
February 23, 2025
Monica Hymas, Contralto
and Halden Toy, Organ
Cathedral Church of Saint Mark, Salt Lake City, Utah
Johann Sebastian Bach (1685-1750)
Widerstehe doch der Sünde, BWV 54
Max Reger (1873-1916)
Zwei geistliches Lieder, Op. 105
I. Ich sehe dich in tausend Bildern
II. Meine Seele ist still zu Gott (Psalm 62)
Arvo Pärt (b. 1935)
My Heart's in the Highlands
Monica Hymas is a versatile pianist, choral singer, conductor, and composer based in Salt Lake City. She studied piano with Scott Holden and choral conducting under Ronald Staheli at BYU, earning bachelor’s and master’s degrees. Her collaborations include the Southwest Symphony, Tuacahn productions, and international performances in London, Oxford, and Russia. Monica has arranged and composed for various choirs, including the BYU University Chorale and the Cathedral Church of St. Mark.
Halden Toy, has studied with Douglas Cleveland and Bach specialist George Ritchie. In 2009, he won the AGO's Region VIII competition, and in 2014, he was a finalist in the 5th International Jan Pieterszoon Sweelinck Organ Competition. Named one of The Diapason’s "20 Under 30" in 2015, Halden is a staff organist at the Cathedral Church of St. Mark and works as a supply organist across Salt Lake Valley.
Monica Hymas, Contralto
and Halden Toy, Organ
Cathedral Church of Saint Mark, Salt Lake City, Utah
Johann Sebastian Bach (1685-1750)
Widerstehe doch der Sünde, BWV 54
Max Reger (1873-1916)
Zwei geistliches Lieder, Op. 105
I. Ich sehe dich in tausend Bildern
II. Meine Seele ist still zu Gott (Psalm 62)
Arvo Pärt (b. 1935)
My Heart's in the Highlands
Monica Hymas is a versatile pianist, choral singer, conductor, and composer based in Salt Lake City. She studied piano with Scott Holden and choral conducting under Ronald Staheli at BYU, earning bachelor’s and master’s degrees. Her collaborations include the Southwest Symphony, Tuacahn productions, and international performances in London, Oxford, and Russia. Monica has arranged and composed for various choirs, including the BYU University Chorale and the Cathedral Church of St. Mark.
Halden Toy, has studied with Douglas Cleveland and Bach specialist George Ritchie. In 2009, he won the AGO's Region VIII competition, and in 2014, he was a finalist in the 5th International Jan Pieterszoon Sweelinck Organ Competition. Named one of The Diapason’s "20 Under 30" in 2015, Halden is a staff organist at the Cathedral Church of St. Mark and works as a supply organist across Salt Lake Valley.
RECITAL POSTPONED
January 26, 2025
Julian Petrallia
Assistant Organist, Cathedral of the Madeleine
"From Advent to Epiphany"
Advent
Nico Muhly (b. 1981)
O Sapientia, from Seven O Antiphon Preludes:
Christmas
Domenico Zipoli (1688-1726)
Pastorale
Solemnity of the Blessed Virgin Mary
Georges Guiraud (1868-1928)
Ave Maria
Epiphany
Charles Tournemire (1870-1939)
Epiphania Domini, from L'Orgue Mystique, Op. 55
i. Prélude à l'Introït
ii. Offertoire
iii. Élévation
iv. Communion
v. Fantaisie
January 26, 2025
Julian Petrallia
Assistant Organist, Cathedral of the Madeleine
"From Advent to Epiphany"
Advent
Nico Muhly (b. 1981)
O Sapientia, from Seven O Antiphon Preludes:
Christmas
Domenico Zipoli (1688-1726)
Pastorale
Solemnity of the Blessed Virgin Mary
Georges Guiraud (1868-1928)
Ave Maria
Epiphany
Charles Tournemire (1870-1939)
Epiphania Domini, from L'Orgue Mystique, Op. 55
i. Prélude à l'Introït
ii. Offertoire
iii. Élévation
iv. Communion
v. Fantaisie
January 19, 2025
Isaac Johnson
University of Colorado–Boulder
Maurice Duruflé (1902-1986)
Prélude sur l'Introït de l'Épiphanie, op. 13
Johann Sebastian Bach (1685-1750)
Sonata II in C minor, BWV 526
i. Vivace
ii. Largo
iii. Allegro
Nicolas de Grigny (1672-1703)
Ave Maris Stella
i. Plein jeu à 5
ii. Fugue à 5
iii. Duo
iv. Dialogue sur les grands Jeux
Isaac Johnson is in the Ph.D. program in Musicology at the University of Colorado-Boulder, where his primary research interest is Gregorian chant in North America, with the study of 20th-century French organ music as one of his secondary interests. He holds previous degrees from the Yale Institute of Sacred Music and Samford University and is a published scholar and seasoned presenter in the fields of liturgy, sacred music, religious studies, and philosophy. He has given organ recitals in cathedrals and churches across the United States and in Canada.
Isaac Johnson
University of Colorado–Boulder
Maurice Duruflé (1902-1986)
Prélude sur l'Introït de l'Épiphanie, op. 13
Johann Sebastian Bach (1685-1750)
Sonata II in C minor, BWV 526
i. Vivace
ii. Largo
iii. Allegro
Nicolas de Grigny (1672-1703)
Ave Maris Stella
i. Plein jeu à 5
ii. Fugue à 5
iii. Duo
iv. Dialogue sur les grands Jeux
Isaac Johnson is in the Ph.D. program in Musicology at the University of Colorado-Boulder, where his primary research interest is Gregorian chant in North America, with the study of 20th-century French organ music as one of his secondary interests. He holds previous degrees from the Yale Institute of Sacred Music and Samford University and is a published scholar and seasoned presenter in the fields of liturgy, sacred music, religious studies, and philosophy. He has given organ recitals in cathedrals and churches across the United States and in Canada.
October 27, 2024
Kaden Elwood
Salt Lake City, Utah
Johann Sebastian Bach (1685-1750)
Alle Menschen müssen sterben, BWV 643
Jehan Alain (1911-1940)
Litanies
Leon Boëllmann (1862-1897)
Priere a Notre Dame, from Suite Gothique
Marcel Dupré (1886-1971)
Prelude and Fugue in G minor, Op. 7 No. 3
Kaden Elwood
Salt Lake City, Utah
Johann Sebastian Bach (1685-1750)
Alle Menschen müssen sterben, BWV 643
Jehan Alain (1911-1940)
Litanies
Leon Boëllmann (1862-1897)
Priere a Notre Dame, from Suite Gothique
Marcel Dupré (1886-1971)
Prelude and Fugue in G minor, Op. 7 No. 3
October 13, 2024
Julian Petrallia
Assistant Organist, Cathedral of the Madeleine
Johann Sebastian Bach (1685-1750)
Prelude and Fugue in C minor, BWV 546
Connor Chee (b. 1987)
Hózhó
Felix Mendelssohn (1809-1847)
Andante religioso, from Sonata No. 4
Herbert Howells (1892-1983)
Rhapsody No. 1 in D-Flat
Julian Petrallia
Assistant Organist, Cathedral of the Madeleine
Johann Sebastian Bach (1685-1750)
Prelude and Fugue in C minor, BWV 546
Connor Chee (b. 1987)
Hózhó
Felix Mendelssohn (1809-1847)
Andante religioso, from Sonata No. 4
Herbert Howells (1892-1983)
Rhapsody No. 1 in D-Flat
September 29, 2024
Christopher Caruso-Lynch
Artist-in-Residence, Madeleine Choir School
Kenneth Leighton (1929 – 1988)
Fanfare
Rockingham
Toccata on Hanover
Ode
St. Columba (Erin)
Paean
Christopher Caruso-Lynch
Artist-in-Residence, Madeleine Choir School
Kenneth Leighton (1929 – 1988)
Fanfare
Rockingham
Toccata on Hanover
Ode
St. Columba (Erin)
Paean
September 22, 2024
Gabriele Terrone
Organist, Cathedral of the Madeleine
Juan Cabanilles (1644-1712)
6 Gallarda de Primer Tono
Johann Sebastian Bach (1685-1750)
8 Fantasia and Fugue in C minor, BWV 537
Jan Pieterszoon Sweelinck (1562-1621)
7 Fantasia super: Ut, Re, Mi, Fa, Sol, La
Sébastián Aguilera de Heredia (1561-1627)
7 Obra de Octavo Tono Alto: Ensalada
Gabriele Terrone
Organist, Cathedral of the Madeleine
Juan Cabanilles (1644-1712)
6 Gallarda de Primer Tono
Johann Sebastian Bach (1685-1750)
8 Fantasia and Fugue in C minor, BWV 537
Jan Pieterszoon Sweelinck (1562-1621)
7 Fantasia super: Ut, Re, Mi, Fa, Sol, La
Sébastián Aguilera de Heredia (1561-1627)
7 Obra de Octavo Tono Alto: Ensalada
May 26, 2024
Gabriele Terrone
Cathedral of the Madeleine
In Sollemnitate Sanctissimae Trinitati
Johann Sebastian Bach (1685-1750)
Prelude in E flat Major, BWV 522/1
Olivier Messiaen (1908-1992)
Le mystère de la sainte Trinité
Johann Sebastian Bach
Largo, from Sonata No. 1, BWV 525
Johann Sebastian Bach
Fugue in E flat Major, BWV 522/2
Gabriele Terrone
Cathedral of the Madeleine
In Sollemnitate Sanctissimae Trinitati
Johann Sebastian Bach (1685-1750)
Prelude in E flat Major, BWV 522/1
Olivier Messiaen (1908-1992)
Le mystère de la sainte Trinité
Johann Sebastian Bach
Largo, from Sonata No. 1, BWV 525
Johann Sebastian Bach
Fugue in E flat Major, BWV 522/2
May 5, 2024
James Goldrick and Gabriele Terrone
Cathedral of the Madeleine
"For 4 hands and 4 feet"
Camille Saint-Saëns (1835-1921)
Danse Macabre
(arr. Dickinson/Lockwood)
Improvisation
George Frideric Handel (1685-1759)
Concerto No. 13, HWV 295 "The Cuckoo and the Nightingale"
II. Allegro
Improvisation
John Rutter (b. 1945)
Variations on an Easter Theme
James Goldrick and Gabriele Terrone
Cathedral of the Madeleine
"For 4 hands and 4 feet"
Camille Saint-Saëns (1835-1921)
Danse Macabre
(arr. Dickinson/Lockwood)
Improvisation
George Frideric Handel (1685-1759)
Concerto No. 13, HWV 295 "The Cuckoo and the Nightingale"
II. Allegro
Improvisation
John Rutter (b. 1945)
Variations on an Easter Theme
April 28, 2024
Scott Mills
First United Methodist Church, Salt Lake City, Utah
Johann Sebastian Bach (1685-1750)
Toccata in D Minor, BWV 538
Johannes Brahms (1833-1897)
Eleven Chorale Preludes, Op. 122, No. 4
IV. Herzlich tut mich erfreuen
David N. Johnson (1922-1987)
Three Trumpet Tunes for Organ
I. Trumpet Tune in C Major
Marco Enrico Bossi (1861-1925)
Five Pieces for Organ, Op. 104, No. 2
II. Ave Maria
Richard Keys Biggs (1886-1962)
Toccata on Deo Gratias
Scott Ranson Mills, CAGO is a lifelong church organist. His love for great music and the pipe organ began in his early childhood years growing up in Tempe, Arizona, where he began his music studies at age 7. At age twelve, he was asked to be organist in his ward in The Church of Jesus Christ of Latter-Day Saints. He furthered his music studies at BYU following his Junior year of High School, studying organ and piano with J.J. Keeler, graduating with a degree in Music Pedagogy. He served for six months as
guest organist on Temple Square and has been an organist and choir director for several church denominations over the years. Mr. Mills is an active member of the American Guild of Organists and is Principal Organist and Director of Music Ministries at First United Methodist Church in Salt Lake City, since January 2008. He has taught private piano and organ since 1973 and currently teaches piano in the after-school program at the Madeline Choir School.
Scott Mills
First United Methodist Church, Salt Lake City, Utah
Johann Sebastian Bach (1685-1750)
Toccata in D Minor, BWV 538
Johannes Brahms (1833-1897)
Eleven Chorale Preludes, Op. 122, No. 4
IV. Herzlich tut mich erfreuen
David N. Johnson (1922-1987)
Three Trumpet Tunes for Organ
I. Trumpet Tune in C Major
Marco Enrico Bossi (1861-1925)
Five Pieces for Organ, Op. 104, No. 2
II. Ave Maria
Richard Keys Biggs (1886-1962)
Toccata on Deo Gratias
Scott Ranson Mills, CAGO is a lifelong church organist. His love for great music and the pipe organ began in his early childhood years growing up in Tempe, Arizona, where he began his music studies at age 7. At age twelve, he was asked to be organist in his ward in The Church of Jesus Christ of Latter-Day Saints. He furthered his music studies at BYU following his Junior year of High School, studying organ and piano with J.J. Keeler, graduating with a degree in Music Pedagogy. He served for six months as
guest organist on Temple Square and has been an organist and choir director for several church denominations over the years. Mr. Mills is an active member of the American Guild of Organists and is Principal Organist and Director of Music Ministries at First United Methodist Church in Salt Lake City, since January 2008. He has taught private piano and organ since 1973 and currently teaches piano in the after-school program at the Madeline Choir School.
RECITAL CANCELLED
April 21, 2024
Linda Margetts
Salt Lake Tabernacle
April 21, 2024
Linda Margetts
Salt Lake Tabernacle
April 14, 2024
Andrew Fellows
Brigham Young University, Provo, Utah
Max Reger (1873-1916)
Toccata in D minor, Op. 59
Andrew Unsworth (b. 1970)
Prelude on Margaret
César Franck (1822-1890)
Chorale No. 2
Andrew Fellows is a third-year J.D. candidate at BYU’s J. Reuben Clark Law School. Though a native of Stafford, Virginia, upon graduating law school next week, he looks forward to practicing civil litigation here in Utah.
Before pursuing law, Andrew earned a Bachelor of Music in Organ Performance in 2021 from BYU where he studied under Dr. Neil Harmon. From 2018–2020, while still an undergraduate student, Andrew also served as an Organ Scholar at the Cathedral of the Madeleine. Having remained active as an organist, Andrew is also an avid choral musician; he currently sings in BYU Singers and sits on the board of Utah-Valley-based Santos Chamber Singers.
Andrew Fellows
Brigham Young University, Provo, Utah
Max Reger (1873-1916)
Toccata in D minor, Op. 59
Andrew Unsworth (b. 1970)
Prelude on Margaret
César Franck (1822-1890)
Chorale No. 2
Andrew Fellows is a third-year J.D. candidate at BYU’s J. Reuben Clark Law School. Though a native of Stafford, Virginia, upon graduating law school next week, he looks forward to practicing civil litigation here in Utah.
Before pursuing law, Andrew earned a Bachelor of Music in Organ Performance in 2021 from BYU where he studied under Dr. Neil Harmon. From 2018–2020, while still an undergraduate student, Andrew also served as an Organ Scholar at the Cathedral of the Madeleine. Having remained active as an organist, Andrew is also an avid choral musician; he currently sings in BYU Singers and sits on the board of Utah-Valley-based Santos Chamber Singers.
February 4, 2024
James Goldrick
Cathedral of the Madeleine
George Frideric Handel (1685-1759)
Sarabande in D-minor HWV 437
François Couperin (1668-1733)
'Tierce en taille' from Messe pour les Couvents
F. Couperin
'Plorans ploravit' from Leçons de ténèbres *
Louis-Nicolas Clérambault (1676-1749)
'Flûtes' from Suite du deuxième ton
Naji Hakim (1955)
Pange Lingua*
*With associate artist, Anthony Ray
James Goldrick
Cathedral of the Madeleine
George Frideric Handel (1685-1759)
Sarabande in D-minor HWV 437
François Couperin (1668-1733)
'Tierce en taille' from Messe pour les Couvents
F. Couperin
'Plorans ploravit' from Leçons de ténèbres *
Louis-Nicolas Clérambault (1676-1749)
'Flûtes' from Suite du deuxième ton
Naji Hakim (1955)
Pange Lingua*
*With associate artist, Anthony Ray
January 28, 2024
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685–1750)
Prelude and Fugue in C, BWV 531
Partite diverse sopra "O Gott, du frommer Gott”, BWV 767
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685–1750)
Prelude and Fugue in C, BWV 531
Partite diverse sopra "O Gott, du frommer Gott”, BWV 767
January 21, 2024
James Welch
Provo, Utah
Dietrich Buxtehude (1637-1707)
Prelude and Fugue in F# minor, BuxWV 146
Johann Sebastian Bach (1685-1750)
Vivace, from Sonata No. 6, BWV 530
Jean Langlais (1907-1991)
Chant de paix
Charles Marie Widor (1844-1937)
Allegro, from Symphony No. 6
James Welch received the Doctor of Musical Arts degree from Stanford University where he studied with Herbert Nanney; he also studied at the Mozarteum in Salzburg, Austria, and with Jean Langlais in Paris. He taught organ and carillon at UC Santa Barbara and Santa Clara University. Dr. Welch has concertized internationally, with performances in such prestigious venues as Notre Dame Cathedral in Paris, the Leipzig Gewandhaus, National Cathedral in Washington, D.C., and the Tabernacle in Salt Lake City. He has also performed and taught in Beijing, Taipei, Hong Kong, New Zealand, and Jerusalem. A specialist in Latin American organ music, he received a Fulbright award to perform and conduct research in Brazil. The author of two biographies of prominent California organists, Dale Wood: The Man and the Music, and Richard Purvis, Organist of Grace, he has performed at conventions of the American Guild of Organists and at the International Congress of Organists; and he has released numerous CDs, recorded on a variety of organs.
James Welch
Provo, Utah
Dietrich Buxtehude (1637-1707)
Prelude and Fugue in F# minor, BuxWV 146
Johann Sebastian Bach (1685-1750)
Vivace, from Sonata No. 6, BWV 530
Jean Langlais (1907-1991)
Chant de paix
Charles Marie Widor (1844-1937)
Allegro, from Symphony No. 6
James Welch received the Doctor of Musical Arts degree from Stanford University where he studied with Herbert Nanney; he also studied at the Mozarteum in Salzburg, Austria, and with Jean Langlais in Paris. He taught organ and carillon at UC Santa Barbara and Santa Clara University. Dr. Welch has concertized internationally, with performances in such prestigious venues as Notre Dame Cathedral in Paris, the Leipzig Gewandhaus, National Cathedral in Washington, D.C., and the Tabernacle in Salt Lake City. He has also performed and taught in Beijing, Taipei, Hong Kong, New Zealand, and Jerusalem. A specialist in Latin American organ music, he received a Fulbright award to perform and conduct research in Brazil. The author of two biographies of prominent California organists, Dale Wood: The Man and the Music, and Richard Purvis, Organist of Grace, he has performed at conventions of the American Guild of Organists and at the International Congress of Organists; and he has released numerous CDs, recorded on a variety of organs.
November 5, 2023
Levi Kelley
Brigham Young University, Provo, Utah
Jehan Alain (1911-1940)
Variations sur Lucis Creator, JA 27
Johann Sebastian Bach (1685-1750)
Von Gott, will ich nicht lassen, BWV 658
Louis-Nicolas Clérambault (1676-1749)
from Premier Livre d’Orgue:
IV. Basse et Dessus de Trompette
Max Reger (1873-1916)
Benedictus, Op. 59, No. 9
Marcel Dupré (1886-1971)
Prelude and Fugue in B Major, Op. 7, No. 1
Levi Kelley is a graduate student in organ performance at Brigham Young University, where he studies with Dr. Neil Harmon. He earned a BA in organ at BYU-Idaho studying with Dr. Daniel Kerr. He was organist at First Presbyterian Church of Idaho Falls for three years and has served as a substitute at numerous other churches. He is currently one of the organists at Orem Community Church. In addition to organ, Levi also enjoys composition, playing carillon and piano, and singing barbershop music with his quartet.
Levi Kelley
Brigham Young University, Provo, Utah
Jehan Alain (1911-1940)
Variations sur Lucis Creator, JA 27
Johann Sebastian Bach (1685-1750)
Von Gott, will ich nicht lassen, BWV 658
Louis-Nicolas Clérambault (1676-1749)
from Premier Livre d’Orgue:
IV. Basse et Dessus de Trompette
Max Reger (1873-1916)
Benedictus, Op. 59, No. 9
Marcel Dupré (1886-1971)
Prelude and Fugue in B Major, Op. 7, No. 1
Levi Kelley is a graduate student in organ performance at Brigham Young University, where he studies with Dr. Neil Harmon. He earned a BA in organ at BYU-Idaho studying with Dr. Daniel Kerr. He was organist at First Presbyterian Church of Idaho Falls for three years and has served as a substitute at numerous other churches. He is currently one of the organists at Orem Community Church. In addition to organ, Levi also enjoys composition, playing carillon and piano, and singing barbershop music with his quartet.
October 22, 2023
Christopher Caruso-Lynch
Canon and Director of Music, Christ Church Cathedral, Indianapolis
Louis Vierne (1870 - 1937)
from Symphony No. 1, Op. 14
I. Prelude
IV. Allegro Vivace
VI. Finale
Christopher Caruso-Lynch is Canon & Director of Music at Christ Church Cathedral, Indianapolis where he oversees the the Choir School, as well as the Cathedral’s wide ranging liturgical and concert offerings. Before his appointment in Indianapolis, Christopher held Assistant Organist positions at Christchurch Cathedral, New Zealand, Trinity Cathedral, Portland, St. Mark's Cathedral, Shreveport, Trinity Church, Bloomington, and was organ Scholar at St. Paul's, K Street, Washington D.C. Christopher studied organ performance and early music at Indiana University where his teachers included Janette Fishell, Bruce Neswick, Jeffrey Smith, Christopher Young, and Elisabeth Wright. He holds both bachelor’s and master’s degrees from Indiana. Christopher is an Associate of the American Guild of Organists and has served on the faculty of Indiana University teaching courses in church music.
Christopher Caruso-Lynch
Canon and Director of Music, Christ Church Cathedral, Indianapolis
Louis Vierne (1870 - 1937)
from Symphony No. 1, Op. 14
I. Prelude
IV. Allegro Vivace
VI. Finale
Christopher Caruso-Lynch is Canon & Director of Music at Christ Church Cathedral, Indianapolis where he oversees the the Choir School, as well as the Cathedral’s wide ranging liturgical and concert offerings. Before his appointment in Indianapolis, Christopher held Assistant Organist positions at Christchurch Cathedral, New Zealand, Trinity Cathedral, Portland, St. Mark's Cathedral, Shreveport, Trinity Church, Bloomington, and was organ Scholar at St. Paul's, K Street, Washington D.C. Christopher studied organ performance and early music at Indiana University where his teachers included Janette Fishell, Bruce Neswick, Jeffrey Smith, Christopher Young, and Elisabeth Wright. He holds both bachelor’s and master’s degrees from Indiana. Christopher is an Associate of the American Guild of Organists and has served on the faculty of Indiana University teaching courses in church music.
October 15, 2023
Eugene Lavery
Saint Alban’s Episcopal Church, Waco, TX
George Frideric Handel (1685-1759)
Alla Hornpipe (Water Music)
(transc. by Jean Guillou)
Juan Cabanilles (1644-1712)
Corrente Italiana
Johann Sebastian Bach (1685-1750)
Prelude and Fugue in A minor, BWV 543
Jessica French (b. 1984)
Variations on Jesu, Dulcis Memoria
Eugene Lavery
Saint Alban’s Episcopal Church, Waco, TX
George Frideric Handel (1685-1759)
Alla Hornpipe (Water Music)
(transc. by Jean Guillou)
Juan Cabanilles (1644-1712)
Corrente Italiana
Johann Sebastian Bach (1685-1750)
Prelude and Fugue in A minor, BWV 543
Jessica French (b. 1984)
Variations on Jesu, Dulcis Memoria
October 1, 2023
Sam Elliot
Associate Principal Trombone, Utah Symphony
with Gabriele Terrone, organ
Charles Gounod (1818-1893)
Ave Maria (from Bach's WTK, Prelude No. 1)
Girolamo Frescobaldi (1583 - 1643)
from "Messa della Madonna":
– Canzon dopo l'Epistola
– Ricercar con obligo di cantar la quinta parte senza tocarla
[with requirement to sing a fifth part without playing it]
Gioachino Rossini (1792-1968)
Cuius Animam, from "Stabat Mater"
(transcription by Franz Liszt)
George Philipp Telemann (1681 – 1767)
Triste, from Sonata in F minor, TWV 41:f1
Alexandre Guilmant (1837-1911)
Morceau Symphonique, Op. 88
Sam Elliot
Associate Principal Trombone, Utah Symphony
with Gabriele Terrone, organ
Charles Gounod (1818-1893)
Ave Maria (from Bach's WTK, Prelude No. 1)
Girolamo Frescobaldi (1583 - 1643)
from "Messa della Madonna":
– Canzon dopo l'Epistola
– Ricercar con obligo di cantar la quinta parte senza tocarla
[with requirement to sing a fifth part without playing it]
Gioachino Rossini (1792-1968)
Cuius Animam, from "Stabat Mater"
(transcription by Franz Liszt)
George Philipp Telemann (1681 – 1767)
Triste, from Sonata in F minor, TWV 41:f1
Alexandre Guilmant (1837-1911)
Morceau Symphonique, Op. 88
September 24, 2023
Halden Toy
Cathedral Church of Saint Mark, Salt Lake City, Utah
Dietrich Buxtehude (1637-1707)
Toccata in d, BuxWV 155
François Couperin (1668-1733)
Elevation, Tierce en Taille, from Messe pour les Couvents
Johann Ludwig Krebs (1713-1780)
Fantasia in F, Krebs-WV 420
Marcel Dupré (1886-1971)
Cortège et Litanie op. 19
Halden Toy, 29, organist and harpsichordist, has been playing the organ since age 10. He has studied with the late Norma Aamodt-Nelson, Douglas Cleveland, Daniel Kerr, and renowned Bach specialist George Ritchie. Currently, he studies with Kenneth Udy and Gabriele Terrone. In 2009 he took first place at the American Guild of organist’s Region VIII competition. In 2014 Halden was accepted as one of 8 finalists in the 5th International Organ Competition Jan Pieterszoon Sweelinck. In 2015 He was selected as one of The DIAPASON's 20 under 30. He has also performed at many AGO conventions in years past. Halden is one of the organists at the Cathedral Church of Saint Mark in Salt Lake City.
Halden Toy
Cathedral Church of Saint Mark, Salt Lake City, Utah
Dietrich Buxtehude (1637-1707)
Toccata in d, BuxWV 155
François Couperin (1668-1733)
Elevation, Tierce en Taille, from Messe pour les Couvents
Johann Ludwig Krebs (1713-1780)
Fantasia in F, Krebs-WV 420
Marcel Dupré (1886-1971)
Cortège et Litanie op. 19
Halden Toy, 29, organist and harpsichordist, has been playing the organ since age 10. He has studied with the late Norma Aamodt-Nelson, Douglas Cleveland, Daniel Kerr, and renowned Bach specialist George Ritchie. Currently, he studies with Kenneth Udy and Gabriele Terrone. In 2009 he took first place at the American Guild of organist’s Region VIII competition. In 2014 Halden was accepted as one of 8 finalists in the 5th International Organ Competition Jan Pieterszoon Sweelinck. In 2015 He was selected as one of The DIAPASON's 20 under 30. He has also performed at many AGO conventions in years past. Halden is one of the organists at the Cathedral Church of Saint Mark in Salt Lake City.
September 17, 2023
David Jones
Utah State University, Logan, Utah
Dietrich Buxtehude (1637-1707)
Prelude, Fugue, and Chaconne in C Major, BuxWV 137
Louis Vierne (1870-1937)
Lied, from "24 Pièces en style libre", Op. 31
Johann Sebastian Bach (1685-1750)
In dir ist Freude, BWV 615
Johann Sebastian Bach
Nun komm, der Heiden Heiland, BWV 659
Henri Mulet (1878-1967)
Carillon-Sortie
David Jones, 22, began playing the organ at age 10. He is currently a senior in the organ program at Utah State University. He has studied organ with Lynn Thomas, and is currently studying with Neil Harmon. For the last 10 years, he has served as a church organist. He regularly performs with and has been featured in performances and recordings by the USU Chorale, USU Chamber Singers, and American Festival Chorus and Orchestra.
David Jones
Utah State University, Logan, Utah
Dietrich Buxtehude (1637-1707)
Prelude, Fugue, and Chaconne in C Major, BuxWV 137
Louis Vierne (1870-1937)
Lied, from "24 Pièces en style libre", Op. 31
Johann Sebastian Bach (1685-1750)
In dir ist Freude, BWV 615
Johann Sebastian Bach
Nun komm, der Heiden Heiland, BWV 659
Henri Mulet (1878-1967)
Carillon-Sortie
David Jones, 22, began playing the organ at age 10. He is currently a senior in the organ program at Utah State University. He has studied organ with Lynn Thomas, and is currently studying with Neil Harmon. For the last 10 years, he has served as a church organist. He regularly performs with and has been featured in performances and recordings by the USU Chorale, USU Chamber Singers, and American Festival Chorus and Orchestra.
7 May 2023
Gabriele Terrone
Cathedral of the Madeleine
Alexandre Guilmant (1837-1911)
O Filii et Filiae
Johann Sebastian Bach (1685 - 1750)
Christ ist erstanden BWV 627
Georges Guiraud (1868 - 1928)
Ave Maria
Louis Vierne (1870 - 1937)
Finale, from Symphony N. 1, Op. 14
Gabriele Terrone
Cathedral of the Madeleine
Alexandre Guilmant (1837-1911)
O Filii et Filiae
Johann Sebastian Bach (1685 - 1750)
Christ ist erstanden BWV 627
Georges Guiraud (1868 - 1928)
Ave Maria
Louis Vierne (1870 - 1937)
Finale, from Symphony N. 1, Op. 14
23 April 2023
Brian Mathias
Salt Lake Tabernacle
Maurice Duruflé (1902-1986)
Fugue sur le thème du Carillon des heures de la cathédrale de Soissons
Nicolas de Grigny (1672–1703)
Recit de tierce en taille
Olivier Messiaen (1908-1992)
Prière après la communion
Charles Tournemire (1870–1939)
Victimae Paschali
Brian Mathias
Salt Lake Tabernacle
Maurice Duruflé (1902-1986)
Fugue sur le thème du Carillon des heures de la cathédrale de Soissons
Nicolas de Grigny (1672–1703)
Recit de tierce en taille
Olivier Messiaen (1908-1992)
Prière après la communion
Charles Tournemire (1870–1939)
Victimae Paschali
26 March 2023
Shelby Fisher
Christ United Methodist Church, Salt Lake City
Rachel Laurin (b. 1961)
Prelude, from Symphony No. 1, op. 36
Three Settings of Psalm 130
Guy Weitz (1883-1970)
De profundis clamavi
Emma Lou Diemer (b. 1927)
Psalm 130
Johann Sebastian Bach (1685-1750)
Aus tiefer Not schrei ich zu dir, BWV 686
Shelby Fisher
Christ United Methodist Church, Salt Lake City
Rachel Laurin (b. 1961)
Prelude, from Symphony No. 1, op. 36
Three Settings of Psalm 130
Guy Weitz (1883-1970)
De profundis clamavi
Emma Lou Diemer (b. 1927)
Psalm 130
Johann Sebastian Bach (1685-1750)
Aus tiefer Not schrei ich zu dir, BWV 686
26 February 2023
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685 – 1750)
Fantasia in C minor, BWV 562
Chorale prelude "Through Adam's fall all has been corrupted", BWV 637
Improvisation on Attende Domine
Jehan Alain (1911–1940)
Le jardin suspendu, JA 71
Johann Sebastian Bach (1685 – 1750)
Chorale prelude "Have mercy, O God", BWV 721
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685 – 1750)
Fantasia in C minor, BWV 562
Chorale prelude "Through Adam's fall all has been corrupted", BWV 637
Improvisation on Attende Domine
Jehan Alain (1911–1940)
Le jardin suspendu, JA 71
Johann Sebastian Bach (1685 – 1750)
Chorale prelude "Have mercy, O God", BWV 721
19 February 2023
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685 – 1750)
Prelude and Fugue in A minor, BWV 543
Francisco Correa de Arauxo (1584 – 1654)
Tiento y Discurso de Segundo Tono
Jan Pieterszoon Sweelinck (1562-1621)
Variations on 'Ballo del Granduca', SwWV 319
Léon Boëllmann (1862 - 1897)
Offertoire, from Heures Mystiques, Op. 29
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685 – 1750)
Prelude and Fugue in A minor, BWV 543
Francisco Correa de Arauxo (1584 – 1654)
Tiento y Discurso de Segundo Tono
Jan Pieterszoon Sweelinck (1562-1621)
Variations on 'Ballo del Granduca', SwWV 319
Léon Boëllmann (1862 - 1897)
Offertoire, from Heures Mystiques, Op. 29
5 February 2023
James Goldrick
Cathedral of the Madeleine
Camille Saint-Saëns (1835–1921)
Troisième Fantaisie, Op. 157
Jeanne Demessieux (1921–1968)
Twelve Preludes on Gregorian Chant Themes, Op. 8
No. 3 Attende Domine
Charles Tournemire (1870–1939)
Improvisation sur le ‘Te Deum’
James Goldrick
Cathedral of the Madeleine
Camille Saint-Saëns (1835–1921)
Troisième Fantaisie, Op. 157
Jeanne Demessieux (1921–1968)
Twelve Preludes on Gregorian Chant Themes, Op. 8
No. 3 Attende Domine
Charles Tournemire (1870–1939)
Improvisation sur le ‘Te Deum’
22 January 2023
Seth Bott
St. James Episcopal Church, Midvale
John Cook (1918-1984)
Fanfare
Johann Sebastian Bach (1685-1750)
Das alte Jahr vergangen ist, BWV 614
Johann Sebastian Bach
Toccata in F Major, BWV 540
Dan Locklair (b. 1949)
The Peace May Be Exchanged
Henri Mulet (1878-1967)
Tu Es Petra
Seth Bott
St. James Episcopal Church, Midvale
John Cook (1918-1984)
Fanfare
Johann Sebastian Bach (1685-1750)
Das alte Jahr vergangen ist, BWV 614
Johann Sebastian Bach
Toccata in F Major, BWV 540
Dan Locklair (b. 1949)
The Peace May Be Exchanged
Henri Mulet (1878-1967)
Tu Es Petra
6 November 2022
Rebecca Bennion
MM Candidate in Organ Performance, University of Utah
Fanny Mendelssohn Hensel (1805-1847)
Prelude in F Major
César Franck (1822-1890)
Prélude, Fugue et Variation, Op. 18
VV. AA. (1675-1724)
Kyrie from Messe Double, Livre d’orgue de Montréal
I. Plein Jeu
II. Fugue grave
III. Duo
IV. Pour la basse de trompette
V. Plein Jeu
Rebecca Bennion
MM Candidate in Organ Performance, University of Utah
Fanny Mendelssohn Hensel (1805-1847)
Prelude in F Major
César Franck (1822-1890)
Prélude, Fugue et Variation, Op. 18
VV. AA. (1675-1724)
Kyrie from Messe Double, Livre d’orgue de Montréal
I. Plein Jeu
II. Fugue grave
III. Duo
IV. Pour la basse de trompette
V. Plein Jeu
30 October 2022
Samuel Judd
BM Candidate in Organ Performance, University of Utah
Johann Sebastian Bach (1685-1750)
Passacaglia, BWV 582
César Franck (1822-1890)
Choral No. 1
Samuel Judd
BM Candidate in Organ Performance, University of Utah
Johann Sebastian Bach (1685-1750)
Passacaglia, BWV 582
César Franck (1822-1890)
Choral No. 1
2 October 2022
James Goldrick
Cathedral of the Madeleine
Tylman Susato (1500-1570)
Mohrentanz
(arr. Goldrick)
Johann Gottfried Walther (1684-1748)
Choralpartita 'Jesu, meine Freude'
Olivier Messiaen (1908-1992)
Le banquet céleste
François Couperin (1668-1733)
Offertoire sur les Grands Jeux, from Messe pour les couvents
James Goldrick
Cathedral of the Madeleine
Tylman Susato (1500-1570)
Mohrentanz
(arr. Goldrick)
Johann Gottfried Walther (1684-1748)
Choralpartita 'Jesu, meine Freude'
Olivier Messiaen (1908-1992)
Le banquet céleste
François Couperin (1668-1733)
Offertoire sur les Grands Jeux, from Messe pour les couvents
27 March 2022
Isaac Johnson
University of Colorado–Boulder
Charles Tournemire (1870-1939)
from Sept Chorales-Poëmes d’Orgue pour les sept paroles du Christ, Op. 67
II. “Hodie mecum eris in Paradiso” ("Today you will be with me in Paradise")
V. “Sitio” ("I thirst")
from L’Orgue Mystique: 51 Offices d l’année liturgique inspires du chant grégorien et librement paraphrasés
Laetare, Op. 56
I. [Introït]
II. [Offertoire]
III. [Élévation]
IV. [Communion]
V. Postlude-Fantaisie
Isaac Johnson
University of Colorado–Boulder
Charles Tournemire (1870-1939)
from Sept Chorales-Poëmes d’Orgue pour les sept paroles du Christ, Op. 67
II. “Hodie mecum eris in Paradiso” ("Today you will be with me in Paradise")
V. “Sitio” ("I thirst")
from L’Orgue Mystique: 51 Offices d l’année liturgique inspires du chant grégorien et librement paraphrasés
Laetare, Op. 56
I. [Introït]
II. [Offertoire]
III. [Élévation]
IV. [Communion]
V. Postlude-Fantaisie
6 March 2022
Zachary Ewell
Brigham Young University, Provo, UT
Bert Matter (b. 1937)
Fantaisie sur Psaume 90
Johann Sebastian Bach (1685-1750)
Wo soll ich fliehen hin, BWV 646
Johann Sebastian Bach
Toccata and Fugue in D minor, BWV 538
Zachary Ewell
Brigham Young University, Provo, UT
Bert Matter (b. 1937)
Fantaisie sur Psaume 90
Johann Sebastian Bach (1685-1750)
Wo soll ich fliehen hin, BWV 646
Johann Sebastian Bach
Toccata and Fugue in D minor, BWV 538
27 February 2022
Haruhito Miyagi
University of Utah, Salt Lake City, UT
Florence Price (1887-1953)
Fantasy, from Suite No. 1
Elizabeth Stirling (1819-1895)
Moderato
Clara Schumann (1819-1896)
Prelude and Fugue in D minor, Op. 16, No. 3
Ethel Smyth (1858-1944)
O Gott, du frommer Gott, from Short Chorale Preludes
Fanny Mendelssohn (1805-1847)
Prelude in F Major
Haruhito Miyagi
University of Utah, Salt Lake City, UT
Florence Price (1887-1953)
Fantasy, from Suite No. 1
Elizabeth Stirling (1819-1895)
Moderato
Clara Schumann (1819-1896)
Prelude and Fugue in D minor, Op. 16, No. 3
Ethel Smyth (1858-1944)
O Gott, du frommer Gott, from Short Chorale Preludes
Fanny Mendelssohn (1805-1847)
Prelude in F Major
20 February 2022
Corrado Cavalli
St, John Cantius, Chicago, IL
The Organ Music of Healey Willan
Concert sponsored by the Healey Willan Society of Chicago
Healey Willan (1880–1968)
Five Pieces HWC 177
Prelude and Fugue in C minor HWC 146
Corrado Cavalli
St, John Cantius, Chicago, IL
The Organ Music of Healey Willan
Concert sponsored by the Healey Willan Society of Chicago
Healey Willan (1880–1968)
Five Pieces HWC 177
- Fanfare
- Prelude and Fughetta
- Intermezzo
- Scherzo
- Finale Jubilante
Prelude and Fugue in C minor HWC 146
23 January 2022
David Chamberlin
Zion Evangelical Lutheran Church, Salt Lake City, UT
Théodore Dubois (1837 – 1924)
Fiat lux
David Chamberlin
- Lobe den Herren
- The Wintry Day
- Lasst uns erfreuen
Johann Sebastian Bach (1685 – 1750)
Prelude in A Major
Felix Mendelssohn (1809 – 1847)
Sonata Op. 65 No. 3
- Con moto maestoso
- Andante tranquillo
David Chamberlin
Zion Evangelical Lutheran Church, Salt Lake City, UT
Théodore Dubois (1837 – 1924)
Fiat lux
David Chamberlin
- Lobe den Herren
- The Wintry Day
- Lasst uns erfreuen
Johann Sebastian Bach (1685 – 1750)
Prelude in A Major
Felix Mendelssohn (1809 – 1847)
Sonata Op. 65 No. 3
- Con moto maestoso
- Andante tranquillo
2 January 2022
Gabriele Terrone
Cathedral of the Madeleine
Happy New Year Concert
Valentino Miserachs (b. 1943)
- Fantasia on "Venite Adoremus"
- Pastorale on the "Adeste Fideles"
Johann Sebastian Bach (1685-1750)
- Chorale Prelude “The Old Year Has Passed Away”, BWV 614
- Choral Prelude "Now Thank We All Our God", BWV 657
Licinio Refice (1883-1954)
Pastorale
Maurice Duruflé (1902-1986)
Chorale varié sur le Veni Creator
Gabriele Terrone
Cathedral of the Madeleine
Happy New Year Concert
Valentino Miserachs (b. 1943)
- Fantasia on "Venite Adoremus"
- Pastorale on the "Adeste Fideles"
Johann Sebastian Bach (1685-1750)
- Chorale Prelude “The Old Year Has Passed Away”, BWV 614
- Choral Prelude "Now Thank We All Our God", BWV 657
Licinio Refice (1883-1954)
Pastorale
Maurice Duruflé (1902-1986)
Chorale varié sur le Veni Creator
7 November 2021
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685-1750)
Toccata and fugue in D minor, BWV 565
Chorale Prelude “Before Thy Throne I now appear”, BWV 668
Charles-Marie Widor (1844-1937)
Allegro, from Sixth Symphony, Op. 42 No. 2
Adagio, from Second Symphony, Op. 13 No. 2
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685-1750)
Toccata and fugue in D minor, BWV 565
Chorale Prelude “Before Thy Throne I now appear”, BWV 668
Charles-Marie Widor (1844-1937)
Allegro, from Sixth Symphony, Op. 42 No. 2
Adagio, from Second Symphony, Op. 13 No. 2
24 October 2021
Gabriele Terrone
Cathedral of the Madeleine
Franck and Dubois at Sainte-Clotilde
Théodore Dubois (1837 – 1924)
Grand Chœur
César Franck (1822 – 1890)
from "L’Organiste"
Théodore Dubois
Toccata
Gabriele Terrone
Cathedral of the Madeleine
Franck and Dubois at Sainte-Clotilde
Théodore Dubois (1837 – 1924)
Grand Chœur
César Franck (1822 – 1890)
from "L’Organiste"
- Offertoire in C major
- Sortie in D major
Théodore Dubois
Toccata
17 October 2021
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685–1750)
Fantasia and Fugue in C minor, BWV 537
Louis Vierne (1870 - 1937)
from "24 Pièces en Style Libre"
14. Scherzetto
15. Arabesque
21. Carillon
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685–1750)
Fantasia and Fugue in C minor, BWV 537
Louis Vierne (1870 - 1937)
from "24 Pièces en Style Libre"
14. Scherzetto
15. Arabesque
21. Carillon
7 March 2021
Christopher Huntzinger
St. Ambrose Catholic Church, Salt Lake City, UT
Georg Böhm (1661-1733)
Präludium und Fuge in a moll
Herbert Howells (1892-1983)
Three Psalm Preludes
Set I – No.2
John Stanley (1713-1786)
Voluntary VIII and Fugue in a minor
Jean Langlais (1907-1991)
Pasticcio
Maurice Duruflé (1902-1986)
Fugue sur le theme du Carillon des heures de la Cathédrale de Soissons
Christopher Huntzinger
St. Ambrose Catholic Church, Salt Lake City, UT
Georg Böhm (1661-1733)
Präludium und Fuge in a moll
Herbert Howells (1892-1983)
Three Psalm Preludes
Set I – No.2
John Stanley (1713-1786)
Voluntary VIII and Fugue in a minor
Jean Langlais (1907-1991)
Pasticcio
Maurice Duruflé (1902-1986)
Fugue sur le theme du Carillon des heures de la Cathédrale de Soissons
28 February 2021
Andrew Fellows
Brigham Young University, Provo, UT
Johann Sebastian Bach (1685–1750)
Fantasia and Fugue in G minor BWV 542
Jean Langlais (1907-1991)
Chant du Paix
Louis Vierne (1870 - 1937)
Finale, from Symphony No. 3
Andrew Fellows
Brigham Young University, Provo, UT
Johann Sebastian Bach (1685–1750)
Fantasia and Fugue in G minor BWV 542
Jean Langlais (1907-1991)
Chant du Paix
Louis Vierne (1870 - 1937)
Finale, from Symphony No. 3
21 February 2021
Kimberly Moody
Brigham Young University, Provo, UT
Dietrich Buxtehude (1637-1701)
Toccata in F Major, BuxWV 157
Dale Wood (1934-2003)
Wondrous Love
Louis Vierne (1870-1937)
Scherzo, from Symphony No. 2, Op.20
Dale Wood
Land of Rest
Felix Mendelssohn (1809 – 1847)
Con moto maestoso, from Sonata Op. 65 No. 3
Kimberly Moody
Brigham Young University, Provo, UT
Dietrich Buxtehude (1637-1701)
Toccata in F Major, BuxWV 157
Dale Wood (1934-2003)
Wondrous Love
Louis Vierne (1870-1937)
Scherzo, from Symphony No. 2, Op.20
Dale Wood
Land of Rest
Felix Mendelssohn (1809 – 1847)
Con moto maestoso, from Sonata Op. 65 No. 3
RECITAL CANCELED
17 January 2021
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685–1750)
Prelude and Fugue in C major, BWV 547
Louis Vierne (1870 - 1937)
from "24 Pièces en Style Libre"
14. Scherzetto
15. Arabesque
21. Carillon
17 January 2021
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685–1750)
Prelude and Fugue in C major, BWV 547
Louis Vierne (1870 - 1937)
from "24 Pièces en Style Libre"
14. Scherzetto
15. Arabesque
21. Carillon
1 November 2020
Gabriele Terrone
Cathedral of the Madeleine
Jan Pieterszoon Sweelinck (1562-1621)
Variations on 'Mein junges Leben hat ein End', SwWV 324
Louis Vierne (1870 - 1937)
Défilé, from “Messe basse pour le défunts” Op. 62
Olivier Messiaen (1908–1992)
Apparition de l'Église Éternelle
Gabriele Terrone
Cathedral of the Madeleine
Jan Pieterszoon Sweelinck (1562-1621)
Variations on 'Mein junges Leben hat ein End', SwWV 324
Louis Vierne (1870 - 1937)
Défilé, from “Messe basse pour le défunts” Op. 62
Olivier Messiaen (1908–1992)
Apparition de l'Église Éternelle
25 October 2020
Samuel Judd
University of Utah
Nicolas de Grigny (1672–1703)
Ave maris stella,
i. Plein jeu à 5
ii. Fugue
iii. Duo
iv. Dialogue sur les grands Jeux
Olivier Messiaen (1908–1992)
Offrande au Saint-Sacrement
Johannes Brahms (1833–1897)
Es ist ein Ros' entsprungen
Johann Sebastian Bach (1685–1750)
Pièce d'Orgue, BWV 572
Samuel Judd
University of Utah
Nicolas de Grigny (1672–1703)
Ave maris stella,
i. Plein jeu à 5
ii. Fugue
iii. Duo
iv. Dialogue sur les grands Jeux
Olivier Messiaen (1908–1992)
Offrande au Saint-Sacrement
Johannes Brahms (1833–1897)
Es ist ein Ros' entsprungen
Johann Sebastian Bach (1685–1750)
Pièce d'Orgue, BWV 572
18 October 2020
Amber Dahlberg
Master Candidate, Brigham Young University, Provo UT
Winner of the AGO West Regional Competition for Young Organists
Johann Sebastian Bach (1685–1750)
Toccata in F Major, BWV 540
César Franck (1822–1890)
Prélude, fugue et variation, Op. 18
Charles-Marie Widor (1844–1937)
Final, from Symphony No. 8
Amber Dahlberg
Master Candidate, Brigham Young University, Provo UT
Winner of the AGO West Regional Competition for Young Organists
Johann Sebastian Bach (1685–1750)
Toccata in F Major, BWV 540
César Franck (1822–1890)
Prélude, fugue et variation, Op. 18
Charles-Marie Widor (1844–1937)
Final, from Symphony No. 8
4 October 2020
Gabriele Terrone
Cathedral of the Madeleine, Salt Lake City, UT
Ave Maris Stella: Music in honor of the Blessed Virgin Mary
Girolamo Frescobaldi (1583 - 1643)
Canzon dopo l'Epistola, from "Messa della Madonna"
Marco Enrico Bossi (1861 - 1925)
Ave Maria
Girolamo Frescobaldi and Marcel Dupré (1886 – 1971)
Ave Maris Stella
1. Hail Star of the Sea (GF)
2. When the Salutation Gabriel had spoken (MD)
3. Loosen the chains of the guilty (GF)
4. To Jesus, tender Mother, make thy supplication (MD)
5. O unique Virgin, meek above all others (GF)
6. So now, as we journey, aid our weak endeavor (MD)
7. Praise be to God the Father (GF)
Léonce de Saint-Martin (1886-1954)
Le salut à la Vierge Marie, Op. 34
Gabriele Terrone
Cathedral of the Madeleine, Salt Lake City, UT
Ave Maris Stella: Music in honor of the Blessed Virgin Mary
Girolamo Frescobaldi (1583 - 1643)
Canzon dopo l'Epistola, from "Messa della Madonna"
Marco Enrico Bossi (1861 - 1925)
Ave Maria
Girolamo Frescobaldi and Marcel Dupré (1886 – 1971)
Ave Maris Stella
1. Hail Star of the Sea (GF)
2. When the Salutation Gabriel had spoken (MD)
3. Loosen the chains of the guilty (GF)
4. To Jesus, tender Mother, make thy supplication (MD)
5. O unique Virgin, meek above all others (GF)
6. So now, as we journey, aid our weak endeavor (MD)
7. Praise be to God the Father (GF)
Léonce de Saint-Martin (1886-1954)
Le salut à la Vierge Marie, Op. 34
20 September 2020
Gabriele Terrone
Cathedral of the Madeleine, Salt Lake City, UT
Felix Mendelssohn (1809 - 1847)
Prelude and Fugue in C minor, Op. 37 No. 1
Johann Sebastian Bach (1685 - 1750)
Kommst du nun, Jesu vom Himmel herunter, BWV 650
Léon Boëllmann (1862 - 1897)
Suite Gothique, Op. 25
- Introduction - Choral
- Menuet Gotique
- Prière à Notre-Dame
- Toccata
Gabriele Terrone
Cathedral of the Madeleine, Salt Lake City, UT
Felix Mendelssohn (1809 - 1847)
Prelude and Fugue in C minor, Op. 37 No. 1
Johann Sebastian Bach (1685 - 1750)
Kommst du nun, Jesu vom Himmel herunter, BWV 650
Léon Boëllmann (1862 - 1897)
Suite Gothique, Op. 25
- Introduction - Choral
- Menuet Gotique
- Prière à Notre-Dame
- Toccata
1 March 2020
Travis Peterson
Principal Trumpet, Utah Symphony
with Gabriele Terrone, organ
Henry Purcell (1659 - 1695)
Sonata in G minor Z 790
Andante - Vivace - Adagio - Presto - Largo
Johann Sebastian Bach (1685 - 1750)
Choral Prelude “O Man, thy grievous sin bemoan”
Alan Hovhaness (1911 - 2000)
Prayer of St Gregory
Johann Sebastian Bach
Choral Prelude “Lamb of God, have mercy on us”
Henry Purcell
Sonata in B flat Z 791
Andante - Largo - Presto - Adagio - Vivace - Allegro
Travis Peterson
Principal Trumpet, Utah Symphony
with Gabriele Terrone, organ
Henry Purcell (1659 - 1695)
Sonata in G minor Z 790
Andante - Vivace - Adagio - Presto - Largo
Johann Sebastian Bach (1685 - 1750)
Choral Prelude “O Man, thy grievous sin bemoan”
Alan Hovhaness (1911 - 2000)
Prayer of St Gregory
Johann Sebastian Bach
Choral Prelude “Lamb of God, have mercy on us”
Henry Purcell
Sonata in B flat Z 791
Andante - Largo - Presto - Adagio - Vivace - Allegro
23 February 2020
Gabriele Terrone
Cathedral of the Madeleine, Salt Lake City, UT
Cesar Franck (1822 - 1890)
I. Pièce Héroïque (Trois Pièces pour Grand Orgue, No. 3)
II. Cantabile (Trois Pièces pour Grand Orgue, No. 2)
III. Final Op. 21
Gabriele Terrone
Cathedral of the Madeleine, Salt Lake City, UT
Cesar Franck (1822 - 1890)
I. Pièce Héroïque (Trois Pièces pour Grand Orgue, No. 3)
II. Cantabile (Trois Pièces pour Grand Orgue, No. 2)
III. Final Op. 21
16 February 2020
Shelby Fisher
MM Candidate, University of Utah
Charles Tournemire (1870-1939)
Suite évocatrice, Op. 74
- Grave
- Tierce en taille et récit e chromhorne
- Flûte d’écho
- Jeu doux et voix humaine
- Caprice
Johann Sebastian Bach (1685-1750)
Allein Gott in der Höh sei Ehr’ BWV 662
Jean Langlais (1907-1991)
Miniature, Op. 108
Felix Mendelssohn (1809 - 1847)
Adagio, from Sonata Op. 65 No. 1
Percy Whitlock (1903-1946)
Toccata, from Plymouth Suite
Shelby Fisher
MM Candidate, University of Utah
Charles Tournemire (1870-1939)
Suite évocatrice, Op. 74
- Grave
- Tierce en taille et récit e chromhorne
- Flûte d’écho
- Jeu doux et voix humaine
- Caprice
Johann Sebastian Bach (1685-1750)
Allein Gott in der Höh sei Ehr’ BWV 662
Jean Langlais (1907-1991)
Miniature, Op. 108
Felix Mendelssohn (1809 - 1847)
Adagio, from Sonata Op. 65 No. 1
Percy Whitlock (1903-1946)
Toccata, from Plymouth Suite
2 February 2020
Gabriele Terrone
Cathedral of the Madeleine, Salt Lake City, UT
“And you yourself a sword will pierce”
The Blessed Virgin Mary and the Presentation of the Lord
Johann Sebastian Bach (1685 – 1750)
Prelude and Fugue in A minor, BWV 543
Marcel Dupré (1886 – 1971)
“The Stations of the Cross”
4th Station – Jesus Meets His Mother
Johann Sebastian Bach
Choral Prelude “In peace and joy I now depart”, BWV 616
Girolamo Frescobaldi (1583 - 1643) and Marcel Dupré
Five verses of the Ave Maris Stella
Improvisation on “Lumen ad revelationem gentium”
Gabriele Terrone
Cathedral of the Madeleine, Salt Lake City, UT
“And you yourself a sword will pierce”
The Blessed Virgin Mary and the Presentation of the Lord
Johann Sebastian Bach (1685 – 1750)
Prelude and Fugue in A minor, BWV 543
Marcel Dupré (1886 – 1971)
“The Stations of the Cross”
4th Station – Jesus Meets His Mother
Johann Sebastian Bach
Choral Prelude “In peace and joy I now depart”, BWV 616
Girolamo Frescobaldi (1583 - 1643) and Marcel Dupré
Five verses of the Ave Maris Stella
Improvisation on “Lumen ad revelationem gentium”
26 January 2020
Andrew Fellows
Cathedral of the Madeleine, Salt Lake City, UT
Dietrich Buxtehude (1637-1707)
Praeludium in e minor BuxWV 142
Johann Sebastian Bach (1685-1750)
Liebster Jesu, Wir Sind Hier BWV 731
Henri Mulet (1878-1967)
Carillon-Sortie
J. S. Bach
Ich ruf du zir, Herr Jesu Christ BWV 639
Louis Vierne (1870-1937)
Adagio from Organ Symphony No. 3, Op. 28
Andrew Fellows
Cathedral of the Madeleine, Salt Lake City, UT
Dietrich Buxtehude (1637-1707)
Praeludium in e minor BuxWV 142
Johann Sebastian Bach (1685-1750)
Liebster Jesu, Wir Sind Hier BWV 731
Henri Mulet (1878-1967)
Carillon-Sortie
J. S. Bach
Ich ruf du zir, Herr Jesu Christ BWV 639
Louis Vierne (1870-1937)
Adagio from Organ Symphony No. 3, Op. 28
19 January 2020
Meaghan King
St. John the Baptist Catholic Church, Corpus Christi, TX
Johann Sebastian Bach (1685–1750)
Prelude and Fugue in Eb Major, BWV 552
Charles Tournemire (1870–1939)
Improvisation sur le Te Deum
Maurice Duruflé (1902–1986)
Prélude sur l’introit de l’Épiphanie, op. 13
Jehan Alain (1911–1940)
Litanies, JA 119
Meaghan King
St. John the Baptist Catholic Church, Corpus Christi, TX
Johann Sebastian Bach (1685–1750)
Prelude and Fugue in Eb Major, BWV 552
Charles Tournemire (1870–1939)
Improvisation sur le Te Deum
Maurice Duruflé (1902–1986)
Prélude sur l’introit de l’Épiphanie, op. 13
Jehan Alain (1911–1940)
Litanies, JA 119
3 November 2019
Seth Bott
University of Kansas
Johann Sebastian Bach (1685-1750)
In dir ist Freude, BWV 615
François Couperin (1668-1733)
Tierce en Taille, from Mass for the Convents
Robert Cundick (1926-2016)
from Sonatina
ii. Allegretto
iii. Allegro Energico
Johannes Brahms (1833-1897)
Fugue in A Minor, WoO 9
Max Reger (1873-1916)
Melodia, from Twelve Organ Pieces, Op. 59
Henri Mulet (1878-1967)
Tu es petra et portæ inferi non prævalebunt adversus te,
from Esquisses Byzantines
Seth Bott
University of Kansas
Johann Sebastian Bach (1685-1750)
In dir ist Freude, BWV 615
François Couperin (1668-1733)
Tierce en Taille, from Mass for the Convents
Robert Cundick (1926-2016)
from Sonatina
ii. Allegretto
iii. Allegro Energico
Johannes Brahms (1833-1897)
Fugue in A Minor, WoO 9
Max Reger (1873-1916)
Melodia, from Twelve Organ Pieces, Op. 59
Henri Mulet (1878-1967)
Tu es petra et portæ inferi non prævalebunt adversus te,
from Esquisses Byzantines
27 October 2019
Ruth Eldredge
Cathedral of the Madeleine
Johann Sebastian Bach (1685 – 1750)
Concerto in A minor, BWV 593
(after Antonio Vivaldi)
Herbert Howells (1892 – 1983)
Psalm Prelude, Set 1, No. 2
Felix Mendelssohn (1809 – 1847)
Con moto maestoso, from Op. 65 No. 3
Ruth Eldredge
Cathedral of the Madeleine
Johann Sebastian Bach (1685 – 1750)
Concerto in A minor, BWV 593
(after Antonio Vivaldi)
- [Tempo giusto]
- Adagio
- Allegro
Herbert Howells (1892 – 1983)
Psalm Prelude, Set 1, No. 2
Felix Mendelssohn (1809 – 1847)
Con moto maestoso, from Op. 65 No. 3
20 October 2019
Andrew Fellows
Cathedral of the Madeleine
Johann Sebastian Bach (1685-1750)
from Trio Sonata no. 1 in E-flat Major BWV 525
i. Allegro
ii. Adagio
Charles-Marie Widor (1844-1937)
from Organ Symphony no. 6, op. 42 no. 2
i. Allegro
ii. Adagio
Andrew Fellows
Cathedral of the Madeleine
Johann Sebastian Bach (1685-1750)
from Trio Sonata no. 1 in E-flat Major BWV 525
i. Allegro
ii. Adagio
Charles-Marie Widor (1844-1937)
from Organ Symphony no. 6, op. 42 no. 2
i. Allegro
ii. Adagio
6 October 2019
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685 - 1750)
Concerto in D minor, BWV 596
(after Concerto Op. 3 No. 11 by Antonio Vivaldi)
i. [Allegro] - Grave - Fuga
ii. Largo e spiccato
iii. [Allegro
Herr Jesu Christ, dich zu uns wend, BWV 709
(from Kirnberger Chorals)
Prelude and Fugue in D major, BWV 532
Gabriele Terrone
Cathedral of the Madeleine
Johann Sebastian Bach (1685 - 1750)
Concerto in D minor, BWV 596
(after Concerto Op. 3 No. 11 by Antonio Vivaldi)
i. [Allegro] - Grave - Fuga
ii. Largo e spiccato
iii. [Allegro
Herr Jesu Christ, dich zu uns wend, BWV 709
(from Kirnberger Chorals)
Prelude and Fugue in D major, BWV 532
22 September 2019
Gabriele Terrone
Cathedral of the Madeleine
François Couperin (1668 – 1733)
from "Messe à l'usage ordinaire des Paroisses"
- Dialogue sur les Grands Jeux
- Cromorne en taille
- Offertoire sur les Grands Jeux
Improvisation on the Communion “You have laid down your precept to be carefully kept”
Girolamo Frescobaldi (1583 – 1643)
Toccata Quinta, from “Secondo Libro di Toccate”
William Faulkes (1863 – 1933)
Festal Prelude on "Lasst uns erfreuen"
Gabriele Terrone
Cathedral of the Madeleine
François Couperin (1668 – 1733)
from "Messe à l'usage ordinaire des Paroisses"
- Dialogue sur les Grands Jeux
- Cromorne en taille
- Offertoire sur les Grands Jeux
Improvisation on the Communion “You have laid down your precept to be carefully kept”
Girolamo Frescobaldi (1583 – 1643)
Toccata Quinta, from “Secondo Libro di Toccate”
William Faulkes (1863 – 1933)
Festal Prelude on "Lasst uns erfreuen"
15 September 2019
Josep Solè Coll
St. Peter Basilica, Vatican City
Music in Honor of the Blessed Virgin Mary
Léonce de Saint-Martin (1886-1954)
Le salut à la Vierge Marie, Op. 34
Sigfrid Karg-Elert (1877-1933)
from Cathedral Windows, Op. 106, No. 2,
Ave Maria
Charles-Marie Widor (1844-1937)
from Second Symphony, Op. 13, No. 2 (rev. 1901)
Salve Regina
Marco Bossi (1861-1925)
Ave Maria, Op. 104, No. 2
Michel Boulnois (1907-2008)
from Orgue et liturgie,
Pièce terminale pour la messe de la fête de l'Annonciation
Josep Solè Coll
St. Peter Basilica, Vatican City
Music in Honor of the Blessed Virgin Mary
Léonce de Saint-Martin (1886-1954)
Le salut à la Vierge Marie, Op. 34
Sigfrid Karg-Elert (1877-1933)
from Cathedral Windows, Op. 106, No. 2,
Ave Maria
Charles-Marie Widor (1844-1937)
from Second Symphony, Op. 13, No. 2 (rev. 1901)
Salve Regina
Marco Bossi (1861-1925)
Ave Maria, Op. 104, No. 2
Michel Boulnois (1907-2008)
from Orgue et liturgie,
Pièce terminale pour la messe de la fête de l'Annonciation
